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Runtime: 109 mins
Rating: 15
SHE'S BACK!

From New Line Cinema comes “Annabelle 2,” with David F. Sandberg (“Lights Out”) helming the follow up to 2014´s hugely successful “Annabelle,” which scared up nearly $257 million at the worldwide box office during its run in theaters. The new film is once again being produced by Peter Safran and James Wan, who also partnered so effectively on “The Conjuring” movies.

In “Annabelle 2,” several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker´s possessed creation, Annabelle.



Runtime: 115 mins
Rating: 15
Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies. A blistering blend of sleek action, gritty sexuality and dazzling style, Atomic Blonde is directed by David Leitch (John Wick, Deadpool 2). Also starring John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones, the film is based on the Oni Press graphic novel “The Coldest City,” by Antony Johnston & illustrator Sam Hart. Kurt Johnstad (300) wrote the screenplay.


Runtime: 89 mins
Rating: U
Based on the worldwide sensation and bestselling book series, and boasting an A-list cast of comedy superstars headed by Kevin Hart and Ed Helms, DreamWorks Animation brings audiences the long-awaited global movie event, CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE. This raucously subversive comedy for the entire family tells the story of two overly imaginative pranksters named George and Harold, who hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.


Runtime: 109 mins
Rating: U
Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!


Runtime: 96 mins
Rating: U
Balthazar Bratt, a former child star who's grown up to become obsessed with the character he played in the 80's, proves to be Gru's most formidable nemesis to date.


Runtime: 110 mins
Rating: 12A
“Dunkirk” opens as hundreds of thousands of British and Allied troops are surrounded by enemy forces. Trapped on the beach with their backs to the sea they face an impossible situation as the enemy closes in.


Runtime: 120 mins
Rating: LIVE
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone's radical production of Lorca's achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it 'an extraordinary theatrical triumph' (The Times) and 'stunning, searing, unmissable' (Mail on Sunday). Billie Piper's lead performance is described as 'spellbinding' (The Evening Standard), 'astonishing' (iNews) and 'devastatingly powerful' (The Daily Telegraph). Set in contemporary London, Piper's portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval. "Brutal yet ferociously funny", Metro "Billie Piper makes a shattering Yerma in Simon Stone's inspired reworking of Lorca", The Observer "A shatteringly powerful reinvention of a familiar classic", The Independent **Please note that the performance of Yerma includes strobe lighting**


Runtime: 170 mins
Rating: LIVE
THE ROYAL BALLET’S MAGICAL ALICE’S ADVENTURES IN WONDERLAND ON SCREEN MONDAY 23 OCTOBER AT 7.15PM Tumble down the rabbit hole with The Royal Ballet this autumn with Christopher Wheeldon’s exciting Alice’s Adventures in Wonderland live in cinemas worldwide on Monday 23 October at 7.15pm. The original cast takes to the screen in this madcap adaptation of Lewis Caroll’s story. Exuding a girlish charm, Alice, danced by British Principal Lauren Cuthbertson, is joined by a host of familiar characters including the jittery White Rabbit, the eccentric, tap-dancing Mad Hatter, the enigmatic Caterpillar and the ferocious Queen of Hearts. This much-loved story is reimagined with quirky designs by Bob Crowley as we follow Alice into Wonderland across a lake of tears, playing croquet with flamingos and attending a deranged tea party. Drawing upon a wealth of theatrical effects, including projection and puppetry, Crowley creates a mesmerising world of enchantment from the grinning Cheshire Cat to the sinuous Caterpillar with his 16 legs of ballet dancers en pointe A feast for the senses, Wheeldon’s spectacular ballet brings to life Carroll’s famous story with a menagerie of colours, characters and compelling choreography, whilst Joby Talbot’s lively score provides the perfect accompaniment to the ballet. Alice’s Adventures in Wonderland was the first full ballet created for the Company since 1995 and premiered in 2011 with sold-out performances. The next production in the 2017/18 ROH Live Cinema Season is The Royal Ballet’s festive favourite The Nutcracker on Tuesday 5 December at 7.15pm.


Runtime: 205 mins
Rating: LIVE
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion. Kenneth MacMillan’s source for Manonwas the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.


Runtime: 180 mins
Rating: LIVE
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free andWest Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.


Runtime: 180 mins
Rating: LIVE
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov


Runtime: 135 mins
Rating: LIVE
The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite.

It is Christmas Eve and Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family living room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs and The Royal Ballet's captivating dancing – including an exquisite pas de deux between the Sugar Plum Fairy and her Prince – make this Nutcracker the quintessential Christmas experience.


Runtime: 180 mins
Rating: LIVE
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.


Runtime: 200 mins
Rating: LIVE
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.


Runtime: 190 mins
Rating: LIVE
The Royal Opera’s production of The Magic Flute opens the Live Cinema Season 2017/18 on Wednesday 20 September at 7.15pm. Mozart’s popular work with its famous Queen of the Night aria delivers a magical adventure through mysticism, enchantment, love and trickery – with some wonderfully humorous moments – through an extraordinary blend of comedy, philosophical seriousness and sheer magic. The Magic Flute follows the handsome, young prince Tamino as he sets out to rescue the beautiful Pamina at the request of The Queen of the Night. With only his magic flute and cheerful companion Papageno to help him, Tamino sets out, and soon finds himself on a quest searching for love, enlightenment and wisdom. Set designer, John Macfarlane brings Mozart’s magical opera to life in his designs, from the panoramic night sky to the dancing animals summoned by Tamino’s flute and the incredible flying machine of the Three Boys. This timeless classic provides a perfect opportunity to enjoy a cherished opera, for newcomers and Royal Opera regulars alike. An encore screening will take place on Sunday 24 September at 2pm. The next production in the 2017/18 ROH Live Cinema Season is Puccini’s beloved opera La bohème on Tuesday 3 October at 7.15pm.


Runtime: 155 mins
Rating: LIVE
On Tuesday3 October 2017, at 7.15pm, The Royal Opera’s new production of La bohèmedirected by Richard Jones will be screened live to cinemas around the world. One of the most popular operas in the repertory, Puccini’s romantic portrayal of bohemian Paris has captivated generations of opera lovers and newcomers with wonderful music and a love story drawn from everyday life.It is love at first sight when Rodolfo and Mimì meet, and what ensues is apassionate, timeless, and moving story. Centring on a group of young artists, La bohème follows their struggles to find money for items such as food and rent, heartened by their friendships and romantic ideals. They live contentedly in their small apartment, but their idyllic lifestyle is threatened when Rodolfo learns that Mimì is gravely ill. Royal Opera Music Director Antonio Pappano conducts a superb young cast including Australian soprano Nicole Car as Mimì and American tenor Michael Fabiano as Rodolfo in this new production that returns to the essence of Puccini’s original opera. It captures the liveliness of a bustling 19th century Paris as well as providing some beautifully poignant moments throughout.


Runtime: 200 mins
Rating: LIVE
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue.’


Runtime: 165 mins
Rating: LIVE
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect... David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion. Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.


Runtime: 200 mins
Rating: LIVE
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why. A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.


Rating: LIVE
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.

Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.

Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.


Rating: LIVE
'I am all the daughters of my father's house, And all the brothers too.'

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...

Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".



Runtime: 95 mins
Rating: 12A
There are other worlds than these. Stephen King’s The Dark Tower, the ambitious and expansive story from one of the world’s most celebrated authors, makes its launch to the big screen. The last Gunslinger, Roland Deschain (Idris Elba), has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black (Matthew McConaughey), determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.


Runtime: 86 mins
Rating: U
The Emoji Movie unlocks the never-before-seen secret world inside your smartphone. Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user. In this world, each emoji has only one facial expression – except for Gene (T.J. Miller), an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become "normal" like the other emojis, Gene enlists the help of his handy best friend Hi-5 (James Corden) and the notorious code breaker emoji Jailbreak (Anna Faris). Together, they embark on an epic "app-venture" through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever.


Runtime: 90 mins
Rating: U
When the evil mayor of Oakton decides to tear down Liberty Park and build an amusement park in its place, Surly, Buddy, Andie and the rest of the animals are suddenly homeless! Surly tries to fight back, but realizes it's not going to be easy.The mayor has got an animal control squad patrolling the park… Precious has been dognapped by the mayor’s hyperactive daughter... And Surly has offended Mr. Feng, an adorable city mouse with deadly kung-fu skills. Surly realizes that he has to put aside his differences with the animals and get everybody to work together in order to defeat the mayor, rescue Precious, and save Liberty Park... Before it's too late!




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The Emoji Movie